建築家

Max Bill

1908 - 1994

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マックス・ビル(Max Bill、1908年12月22日 - 1994年12月9日)は、スイスの画家、彫刻家、デザイナーである。合理主義、機能主義のデザインを目指すバウハウスの運動のなかで活動し、「アール・コンクレ」(英語: Concrete art)と称される抽象彫刻を制作したことなどで知られている。 ウィキペディアで詳細を読む

His biography is available in 26 different languages on Wikipedia (up from 25 in 2024). Max Bill is the 137th most popular 建築家 (up from 146th in 2024), the 155th most popular biography from Switzerland and the 8th most popular Swiss 建築家.

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Among 建築家

Among 建築家, Max Bill ranks 137 out of 518Before him are Gunnar Asplund, Aino Aalto, Pier Luigi Nervi, Philibert de l'Orme, Juan de Herrera, and Carlo Scarpa. After him are Hans Scharoun, William Le Baron Jenney, Paul Abadie, Verner Panton, Antonio Sant'Elia, and Ettore Sottsass.

Most Popular 建築家 in Wikipedia

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Contemporaries

Among people born in 1908, Max Bill ranks 78Before him are Yousuf Karsh, Don Ameche, André Martinet, Alain Cuny, Lionel Stander, and Remedios Varo. After him are Henri, Count of Paris, Van Heflin, Rómulo Betancourt, Jim Brown, Viktor Abakumov, and Edward Dmytryk. Among people deceased in 1994, Max Bill ranks 74Before him are Sebastian Shaw, Rollo May, Nicolás Gómez Dávila, Alain Cuny, Lionel Stander, and Terence Young. After him are Robert Bloch, Federica Montseny, Luis Ocaña, Woody Strode, Jean Borotra, and Jim Brown.

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In Switzerland

Among people born in Switzerland, Max Bill ranks 155 out of 1,015Before him are Humbert I, Count of Savoy (980), Kurt Koch (1950), Jean-Robert Argand (1768), Germain Henri Hess (1802), Jakob Ammann (1644), and Ami Argand (1750). After him are Jacques Charles François Sturm (1803), Nicolas Théodore de Saussure (1767), Jean-André Deluc (1727), Marcel Bezençon (1907), Théophile Steinlen (1859), and Albert von Kölliker (1817).

Among 建築家 In Switzerland

Among 建築家 born in Switzerland, Max Bill ranks 8Before him are Francesco Borromini (1599), Carlo Maderno (1556), Domenico Fontana (1543), Peter Zumthor (1943), Mario Botta (1943), and Hannes Meyer (1889). After him are Carlo Fontana (1638), Pietro Lombardo (1435), Bernard Tschumi (1944), Pierre Jeanneret (1896), Adolphe Appia (1862), and Domenico Trezzini (1670).

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