作曲家

Luzzasco Luzzaschi

1545 - 1607

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ルッツァスコ・ルッツァスキ(Luzzasco Luzzaschi, 1545年頃? - 1607年9月10日)は、イタリアのルネサンス末期の作曲家、オルガン奏者、音楽教師。16世紀末のフェラーラの宮廷で活躍し、初期バロックの音楽の形成に大きな影響を与えた。 ウィキペディアで詳細を読む

彼の伝記はウィキペディアで18言語で利用可能です(2024年の17言語から増加)。Luzzasco Luzzaschiは、最も人気のある作曲家の中で第802位(2024年の第603位から順位を下げ)、イタリア人物の伝記の中で第2698位(2019年の第2202位から順位を下げ)、また最も人気のあるイタリア人作曲家の中で第130位に位置しています。

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Among 作曲家

Among 作曲家, Luzzasco Luzzaschi ranks 802 out of 1,451Before him are Johann Gottlieb Graun, Matvey Blanter, Luis de Narváez, Nikolai Tcherepnin, Franz Krommer, and Moritz Hauptmann. After him are Muslim Magomayev, Piero Piccioni, Junkie XL, Peter Benoit, Robert Gerhard, and Jacques-Nicolas Lemmens.

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Contemporaries

Among people born in 1545, Luzzasco Luzzaschi ranks 14Before him are John II, Duke of Schleswig-Holstein-Sonderburg, Powhatan, Anna of Sweden, Azai Nagamasa, Cığalazade Yusuf Sinan Pasha, and Guidobaldo del Monte. After him are Frans Pourbus the Elder, and John Gerard. Among people deceased in 1607, Luzzasco Luzzaschi ranks 16Before him are Elisabeth of Anhalt-Zerbst, Michele Ruggieri, Bento de Góis, Guidobaldo del Monte, Patriarch Job of Moscow, and Eleanor of Prussia. After him are Giovanni Maria Nanino, and Bartholomew Gosnold.

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In イタリア

Among people born in イタリア, Luzzasco Luzzaschi ranks 2,698 out of NaNBefore him are Augusto Righi (1850), Paul Henreid (1908), Pasquale Cicogna (1509), Costante Girardengo (1893), Mauro Codussi (1440), and Bartolomeo Carducci (1554). After him are Aulus Cornelius Palma Frontonianus (1), Lanassa (-400), Gianfrancesco I Gonzaga, Marquess of Mantua (1395), Eleanor of Naples, Duchess of Ferrara (1450), Vincenzo Foppa (1427), and Massimo Stanzione (1585).

Among 作曲家 In イタリア

Among 作曲家 born in イタリア, Luzzasco Luzzaschi ranks 130Before him are Goffredo Petrassi (1904), Luigi Denza (1846), Sigismondo d'India (1582), Vittoria Aleotti (1575), Nicola Vicentino (1511), and Gaetano Pugnani (1731). After him are Piero Piccioni (1921), Francesco Feo (1691), Giovanni Artusi (1540), Emanuele d'Astorga (1680), Salvatore Sciarrino (1947), and Cesare Pugni (1802).

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