SINGER

Nina Stemme

1963 - Today

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Nina Maria Stemme (born Thöldte, 11 May 1963) is a Swedish dramatic soprano opera singer. Stemme "is regarded by today's opera fans as our era's greatest Wagnerian soprano". In 2010, Michael Kimmelman wrote of one of Stemme's performances in Richard Wagner's opera Die Walküre, "As for Brünnhilde, Nina Stemme sang gloriously. It's hard to recall anyone's sounding more commanding or at ease in the part, and that includes Kirsten Flagstad". Read more on Wikipedia

Her biography is available in 18 different languages on Wikipedia (up from 17 in 2024). Nina Stemme is the 2,364th most popular singer (down from 2,340th in 2024), the 1,242nd most popular biography from Sweden (up from 1,252nd in 2019) and the 73rd most popular Swedish Singer.

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Among SINGERS

Among singers, Nina Stemme ranks 2,364 out of 4,381. Before her are Graham Parker, Jimmy Dean, Yui, Chuck D, Clyde McPhatter, and Patricia Petibon. After her are Nelly Ciobanu, Gucci Mane, Fred Schneider, William DuVall, Grégory Lemarchal, and Olga Tañón.

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Contemporaries

Among people born in 1963, Nina Stemme ranks 638. Before her are Vladimír Růžička, Graciano Rocchigiani, Torgny Mogren, Lydia Cacho, Uwe-Jens Mey, and Steven Michael Quezada. After her are Vincent Collet, Caren Metschuck, Andrei Sokolov, Giuseppe Galderisi, Éric Poulat, and Mahiro Maeda.

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In Sweden

Among people born in Sweden, Nina Stemme ranks 1,242 out of 1,879. Before her are Magnus Andersson (1966), Torgny Mogren (1963), Peter Karlsson (1969), Ola Lindgren (1964), Sanny Åslund (1952), and Lotta Schelin (1984). After her are Ulf Bengtsson (1960), Daniel Andersson (1977), John Guidetti (1992), Mattias Ekström (1978), Eva Brunne (1954), and Martin Hansson (1971).

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Among SINGERS In Sweden

Among singers born in Sweden, Nina Stemme ranks 73. Before her are Pandora (1970), Jon Nödtveidt (1975), Petra Marklund (1984), Elize Ryd (1984), Sanna Nielsen (1984), and Lykke Li (1986). After her are Sahlene (1976), Zara Larsson (1997), Eric Saade (1990), Robyn (1979), Velvet (1975), and Agnes Carlsson (1988).

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