MUSICIAN

Madlib

1973 - Today

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Otis Lee Jackson Jr. (born October 24, 1973), known professionally as Madlib, is an American DJ, record producer, and rapper. Critically acclaimed for his eclectic, sample-heavy production style, he is regarded as one of the most influential producers in modern hip-hop. His frequent collaborators include MF Doom (as Madvillain), J Dilla (as Jaylib), Freddie Gibbs (as MadGibbs), Talib Kweli, and Erykah Badu. Read more on Wikipedia

His biography is available in 20 different languages on Wikipedia. Madlib is the 2,840th most popular musician (down from 2,640th in 2024), the 15,995th most popular biography from United States (down from 14,670th in 2019) and the 1,176th most popular American Musician.

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Among MUSICIANS

Among musicians, Madlib ranks 2,840 out of 3,175Before him are Toro y Moi, Shahin Najafi, Hallucinogen, Tommy Clufetos, Scott Storch, and Billy Gould. After him are Victoria De Angelis, Astrix, Kali Uchis, Fujii Kaze, John Bush, and Janne Wirman.

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Contemporaries

Among people born in 1973, Madlib ranks 764Before him are Satoru Kobayashi, Scott Stapp, Fredrik Norrena, Erin Daniels, Scott Storch, and Gabriel Esparza. After him are Hugues Obry, Aleksej Aleksandrov, Andrey Merzlikin, Greg Vaughan, Gorazd Štangelj, and Claudia Bokel.

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In United States

Among people born in United States, Madlib ranks 16,002 out of 20,380Before him are Scott Storch (1973), Dustin Lance Black (1975), Billy Gould (1963), Lina Esco (1985), Samira Wiley (1987), and Julie Ann Emery (1975). After him are Andrew Rannells (1978), Charles Winninger (1884), Andrew Luck (1989), Sara Paxton (1988), Madison Bailey (1999), and Joshua Gomez (1975).

Among MUSICIANS In United States

Among musicians born in United States, Madlib ranks 1,176Before him are Ani DiFranco (1970), Chuck Behler (1965), Toro y Moi (1986), Tommy Clufetos (1979), Scott Storch (1973), and Billy Gould (1963). After him are Kali Uchis (1994), John Bush (1963), Gidget Gein (1969), Terence Blanchard (1962), Frank Klepacki (1974), and Alondra de la Parra (1982).