Malarz

Charles Sheeler

1883 - 1965

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Jego biografia jest dostępna w 18 różnych językach w Wikipedii (wzrost z 17 w 2024 roku). Charles Sheeler jest 1887. najpopularniejszym malarz (spadek z 1785. w 2024 roku), 9244. najpopularniejszą biografią Stany Zjednoczone (spadek z 7204. w 2019 roku) oraz 110. najpopularniejszym malarz Stany Zjednoczone.

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Among Malarzs

Among malarzs, Charles Sheeler ranks 1,887 out of 2,023Before him are David Octavius Hill, Peter Doig, Sarah Goodridge, Georgina de Albuquerque, Claude Renoir, and George Clausen. After him are Koloman Sokol, R. B. Kitaj, Yelena Polenova, Joseph DeCamp, Nikiforos Lytras, and John William Casilear.

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Contemporaries

Among people born in 1883, Charles Sheeler ranks 242Before him are Arthur L. Newton, Albert Oldman, Mary Alden, Lothrop Stoddard, Louis Bach, and Mikhail Gnessin. After him are Ole Lilloe-Olsen, Ernie Parker, Marguerite Clark, Erik Norberg, Nathaniel Cartmell, and Guido Gozzano. Among people deceased in 1965, Charles Sheeler ranks 195Before him are Everett Sloane, Ramón Gil, Robert Benson, John Kitzmiller, Félix Paiva, and William Hogenson. After him are Othmar Ammann, Luigi Maiocco, Alfred Lane, Boško Simonović, Edward Archibald, and Bill Black.

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In Stany Zjednoczone

Among people born in Stany Zjednoczone, Charles Sheeler ranks 9,246 out of NaNBefore him are Robert Brandom (1950), Michael Hayden (1945), Don Patinkin (1922), Jimmy Hart (1943), William Hopper (1915), and Gil Gerard (1943). After him are Bill Hader (1978), R. B. Kitaj (1932), Laura Leighton (1968), Strother Martin (1919), Laverne Cox (1984), and Dianne Reeves (1956).

Among Malarzs In Stany Zjednoczone

Among malarzs born in Stany Zjednoczone, Charles Sheeler ranks 110Before him are Charles R. Knight (1874), Mel Ramos (1935), Willard Metcalf (1858), Paul McCarthy (1945), Edward Hicks (1780), and Sarah Goodridge (1788). After him are R. B. Kitaj (1932), John William Casilear (1811), Thomas Pollock Anshutz (1851), Marsden Hartley (1877), George Inness (1825), and Samuel Colman (1832).

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