Fotografo

Thomas Struth

1954 - presente

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Thomas Struth (Gheldria, 11 ottobre 1954) è un fotografo tedesco, noto per le sue serie di fotografie ritraenti musei e siti storici con all'interno gli spettatori che vengono inconsapevolmente catturati dalla macchina fotografica nel compiere le proprie azioni. Tra gli artisti più importanti della sua generazione, la sua foto dell'interno del Pantheon di Roma è stata venduta da Sotheby's per 1,8 milioni di dollari, rendendola uno degli scatti più costosi di sempre. Leggi di più su Wikipedia

His biography is available in 23 different languages on Wikipedia (up from 21 in 2024). Thomas Struth is the 117th most popular fotografo (up from 124th in 2024), the 4,908th most popular biography from Germany (up from 4,951st in 2019) and the 18th most popular German Fotografo.

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Among Fotografos

Among fotografos, Thomas Struth ranks 117 out of 148Before him are Sabine Weiss, David Douglas Duncan, Joel-Peter Witkin, Karl Struss, Rineke Dijkstra, and Bert Stern. After him are Malick Sidibé, Mary Ellen Mark, Milton H. Greene, Zaida Ben-Yusuf, F. Holland Day, and Lisette Model.

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Contemporaries

Among people born in 1954, Thomas Struth ranks 380Before him are Joe Jackson, Boro Primorac, Joep Lange, Kiki Smith, Neal Schon, and Susan Kare. After him are Kamal Haasan, Vasile Dîba, Trevor Rabin, Toshiaki Imai, Phil Zimmermann, and Joe Bryant.

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In Germany

Among people born in Germany, Thomas Struth ranks 4,911 out of 7,253Before him are Kiki Smith (1954), Frank Rühle (1944), Theo Waigel (1939), Vladimir Morozov (null), Otto Fickeisen (1879), and Markus Babbel (1972). After him are Christoph Metzelder (1980), Robin Gosens (1994), Bernd Schneider (1964), Annemarie Renger (1919), Otto Scheff (1889), and Erik Spiekermann (1947).

Among Fotografos In Germany

Among fotografos born in Germany, Thomas Struth ranks 18Before him are Karl Blossfeldt (1865), Erich Salomon (1886), Heinrich Zille (1858), Albert Renger-Patzsch (1897), Ellen von Unwerth (1954), and Annemarie Heinrich (1912). After him are Ilse Bing (1899), and Wolfgang Tillmans (1968).

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