Pittore

Carl Larsson

1853 - 1919

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La sua biografia è disponibile in 55 lingue su Wikipedia. Carl Larsson è il 163° pittore più popolare (in calo dal 128° nel 2024), la 78ª biografia più popolare della Svezia (in calo dal 49ª nel 2019) e il 2° pittore più popolare della Svezia.

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Among Pittores

Among pittores, Carl Larsson ranks 163 out of 2,023Before him are Frédéric Bazille, Nicolai Abildgaard, Théodore Rousseau, Pinturicchio, Ambrogio Lorenzetti, and Fernando Botero. After him are Jan Matejko, Emil Nolde, Otto Dix, Paul Delaroche, Umberto Boccioni, and Jacob Jordaens.

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Contemporaries

Among people born in 1853, Carl Larsson ranks 9Before him are Hendrik Lorentz, Wilhelm Ostwald, Heike Kamerlingh Onnes, Albrecht Kossel, Hussein bin Ali, Sharif of Mecca, and Chulalongkorn. After him are José Martí, Aleksei Brusilov, Vladimir Solovyov, Ferdinand Hodler, Grand Duchess Maria Alexandrovna of Russia, and Errico Malatesta. Among people deceased in 1919, Carl Larsson ranks 16Before him are Karl Liebknecht, Archduke Ludwig Viktor of Austria, Emiliano Zapata, Ruggero Leoncavallo, Georg von Hertling, and Andrew Carnegie. After him are William Crookes, Princess Charlotte of Prussia, Yakov Sverdlov, Ismail Qemali, Maria Theresa of Austria-Este, and L. Frank Baum.

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In Svezia

Among people born in Svezia, Carl Larsson ranks 78 out of NaNBefore him are Dolph Lundgren (1957), Gunnar Myrdal (1898), Charles VIII of Sweden (1409), Charles XI of Sweden (1655), Magnus I of Sweden (1106), and Sven-Göran Eriksson (1948). After him are Marie Taglioni (1804), Zlatan Ibrahimović (1981), Keke Rosberg (1948), Alva Myrdal (1902), Stellan Skarsgård (1951), and Hugo Theorell (1903).

Among Pittores In Svezia

Among pittores born in Svezia, Carl Larsson ranks 2Before him are Hilma af Klint (1862). After him are Alexander Roslin (1718), John Bauer (1882), Odd Nerdrum (1944), Amalia Lindegren (1814), Bruno Liljefors (1860), Eugène Jansson (1862), Martin van Meytens (1695), Jenny Nyström (1854), Anna Palm de Rosa (1859), and Richard Bergh (1858).

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