ممثل

James Marsden

1973 - حتى اليوم

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جيمس باول مارسدين (ولد في شهر 9 من عام 1973) هو مغني وممثل ومصمم نموذج فيرساتشي، هو أمريكي الجنسية، وهو معروف بقيامه بدور سايكلوبس في سلسلة أفلام (x-men), وأيضا أدى أدوارا ناجحة تجاريا كدوره في فيلمه الأخير (hop) وأيضا في الأفلام التالية: عودة سوبر مان، مثبتات الشعر، مسحور، الصندوق و 27 ثوبا. اقرأ المزيد على ويكيبيديا

His biography is available in 57 different languages on Wikipedia (up from 56 in 2024). James Marsden is the 2,911th most popular ممثل (down from 2,675th in 2024), the 4,950th most popular biography from United States (down from 4,170th in 2019) and the 1,389th most popular American ممثل.

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Among ممثل

Among ممثل, James Marsden ranks 2,911 out of 13,578Before him are Lana Wood, Tetsurō Tamba, Ágnes Esterházy, Evelyn Nesbit, Geoff Pierson, and Carole Landis. After him are Park Bo-gum, Nicollette Sheridan, Takuya Kimura, Adela Noriega, Ghita Nørby, and Tina Ambani.

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Contemporaries

Among people born in 1973, James Marsden ranks 102Before him are Chris Murphy, Neve Campbell, Alexander Vinokourov, Seth MacFarlane, Dejan Bodiroga, and Rose McGowan. After him are Sasha Alexander, Juan Diego Flórez, Michael Reiziger, Björn Kuipers, Corey Taylor, and Oliver Neuville.

Others Born in 1973

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In United States

Among people born in United States, James Marsden ranks 4,950 out of 20,380Before him are Melvin Purvis (1903), Teddy Wilson (1912), Layne Staley (1967), Geoff Pierson (1949), Benjamin Libet (1916), and Carole Landis (1919). After him are Anna Elizabeth Klumpke (1856), Wallace Stevens (1879), Peter Lamborn Wilson (1945), Gregg Allman (1947), Joseph Cornell (1903), and Timothy Olyphant (1968).

Among ممثل In United States

Among ممثل born in United States, James Marsden ranks 1,389Before him are Giovanni Ribisi (1974), Majel Barrett (1932), Lana Wood (1946), Evelyn Nesbit (1884), Geoff Pierson (1949), and Carole Landis (1919). After him are Timothy Olyphant (1968), Melissa Sue Anderson (1962), Kyle Chandler (1965), Timothée Chalamet (1995), Peter Jason (1944), and Michael Berryman (1948).

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